'I fancy a walk to the woods, to see that upended tree,'
Mr says. His eyes are narrowed, ready for peering.
We look out of the windows. Debris blown from hedges and bins escapes across
the currant patch. Cloud cover; unfathomable. Plaintive whir of wind circles
the old aerial.
Thoughtful furrows mark his face. 'It might not be the weather for it.'
We try the back windows, just in case. Next door's tall fir bends.
Is that a full ninety degrees? I'm
thinking.
He says: 'Beach?'
We know at Northcott Mouth these winter storms have
uncovered remains of a wrecked ship; we have no tide table, we just like the
idea of it. It's enough. Once you have the spark, you should follow it.
The espresso pot burbles. Coal scrapes loudly from the scuttle into the red
mouth of the little Rayburn.
Goodbye house!
Where the wreck lies, the waves are foaming. They make
sea-snow over sharp dark rocks. Foam bobbles fly over bared pebbles, over
storm-killed seabirds, over the bold plastic flotsam, up to the crumbled
footings of cliffs. They move in puffs; erratic yet assured; like butterflies,
like ghosts. In pursuit we stumble, over loose sliding cobbles, around the
feathered dead, over to the slanted exposures of rock, a mere ship all forgot,
minds filled with geological form, texture, the white globules dancing.
A break in the rock is a portal: another arc of beach lies beyond.
We have discovered it.
Here on the smooth stones lies, oddly, a badger with a
seabird, his snout pushed out towards the bird's reposing head, an uncapped
bottle at his claw tips. Eyes of the bird hold a faint gleam: unpolished jet
beads. Those neat wings, made for diving. We stand awhile to note the curve of
their resting. So much purpose in each form, a sense of movement is retained
even in death.
More than we look up, the precipice looks down: stern and
ancient. Around our feet, sea-snow flies.
(I keep watch on a marker rock: please note: unsure of how
the tide is moving, with the cliffs unstable, the wind high, the waves strong,
a cut off from the main beach would be high risk. Fascination stows deathly
enchantment.)
In the hedgerows, on the drive home, we count springing
flowers: dandelions, snowdrops, daisies, celandines, narcissi, one clutch of
purple crocus. The beach was sublime, we say, adventurous, bizarre.
'A badger? A beach kill badger?'
'And the seabird? What story there: and the sheer face of
the fiercest cliff? There was an eye in it. It saw us.'
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